Ava DuVernay takes on the classic children’s sci-fi novel, with an assist from Disney, New Zealand and Oprah. It’s had some bad press, and, frankly, we disagree. Charming, colourful adventures with cute kids and smart adults, and a family-friendly message that doesn’t condescend to its tween/teen audience.
Getting from idea to a minimum viable product is difficult, because it’s all about knowing what to ship, and making the right decisions early on. Alice is about to start the journey for the third time, so she asks Curtis and Jelly how their first submissions went, and what they feel like they learned from the process.
Despite the success of Wonder Woman, this biopic of her creator and his polyamorous family received such a limited cinematic release in Australia that we have been unable to see it until now. Touching on our longstanding interests in Wonder Woman, nerd culture, superheroes, feminism, history and queerness, this film also features the wonderful Luke Evans in the title role, and Rebecca Hall as his spectacular wife, Elizabeth. As you can imagine, it gave us plenty to talk about.
As it turns out, Jelly has been thinking a lot about his pricing lately. He really can’t figure it out, so he calls upon Alice and Curtis for answers. What’s the right approach? How do you come up with a sustainable model that works for your market? Is it really alright to experiment with pricing? Our three hosts look at the ins and outs of pricing as an indie, and how to literally value your work.
A few years back we played (and enjoyed) the rebooted Tomb Raider franchise game. Now the gritty, younger version of Lara Croft has found her way to the big screen, played by Alicia Vikander. Can this film overcome the video game movie curse?
The latest film from Alex Garland, based on the sci-fi novel by Jeff Vandermeer, has received really sh*tty distribution treatment, denied a cinematic release outside the US. Luckily, we were able to watch this strange, beautiful and philosophical female-led film on Netflix, where it will hopefully find a receptive audience among fans of esoteric indie fare.
Avoiding bloat in a long-term project can be difficult, and it could make you wonder whether you should even continue improving a product at all. Curtis is certainly questioning whether he’s reached that point with his app, so he, Alice, and Jelly talk it through to figure out whether spending all of your time on one project is healthy, and when you should just call it a day.
Some lightness after the Serious Films of Oscar season, as Rachel McAdams and Jason Bateman team up for this cute comedy about a super-competitive couple about to have their game night go nuclear. Former Freaks and Geeks actor and HORRIBLE BOSSES writer John Francis Daley co-directs with SPIDER-MAN HOMECOMING writer Jonathan Goldstein, with Kyle Chandler and Jesse Plemons in support. Recorded on Sunday afternoon, we also have a short pre-Oscars discussion.
Published 28 February 2018 • 39 minutes, 19 seconds
In the last review we will release prior to the Oscars ceremony, we take a look at one of the contenders: Greta Gerwig’s directorial debut LADY BIRD. Set in 2002, and based on Gerwig’s own life, it definitely hits close to home for us, and we have been waiting impatiently for its Australian release.